By Stuart D. Lee
This is a whole source for students and scholars of Tolkien, in addition to avid enthusiasts, with assurance of his lifestyles, paintings, dominant issues, impacts, and the serious response to his writing.
- An in-depth exam of Tolkien’s whole paintings by means of a cadre of most sensible scholars
- Provides updated dialogue and research of Tolkien’s scholarly and literary works, together with his most recent posthumous e-book, The Fall of Arthur, in addition to addressing modern diversifications, together with the recent Hobbit films
- Investigates quite a few topics throughout his physique of labor, equivalent to mythmaking, medieval languages, nature, battle, faith, and the defeat of evil
- Discusses the influence of his paintings on paintings, movie, song, gaming, and next generations of myth writers
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Extra info for A Companion to J. R. R. Tolkien
This, together with his engagement, set Tolkien squarely on his future road, academically and personally. But his creativity still ran no further than drawing landscapes or occasional symbolist pictures he called “Ishnesses” (Hammond and Scull 1995, 40), inventing languages and scripts that were rudimentary by his later standards, and writing a very few poems. The outbreak of World War I in summer 1914 was a profound shock – “the collapse of all my world” (Letters 393) – but Tolkien needed his degree for an academic career and delayed enlistment (on the war and its creative impact, see Garth 2003).
He dealt with a growing postbag including letters from fans – some in runic or the Elvish script tengwar – and requests A Brief Biography 21 for interviews or for permission for adaptations, amateur and professional, artistic, dramatic, and musical. Further delays came from his health problems, including worsening fibrositis and arthritis, as well as from Edith’s. The Vatican II reforms to Catholic worship depressed him (he continued to use the Latin liturgy, loudly, while those around him used English).
However, one story proved truly momentous, and became the second central work of Tolkien’s legendarium. It originated – quite characteristically – in a moment of boredom. Perhaps in 1930, Tolkien idly wrote the words “In a hole in the ground there lived a hobbit” on a student’s paper while marking summer exams, and soon he was telling the story of Bilbo Baggins to his children (see ch. 8). 20 Northmoor Road and The Hobbit: 1931–1937 The Tolkiens moved next door in January 1931 into a bigger house, 20 Northmoor Road, Oxford, where most of The Hobbit and The Lord of the Rings were to be written.
A Companion to J. R. R. Tolkien by Stuart D. Lee