By Peter Brown
A significant other to Medieval English Literature and tradition, c.1350-c.1500 demanding situations readers to imagine past a narrowly outlined canon and standard disciplinary limitations. A ground-breaking number of newly-commissioned essays on medieval literature and tradition. Encourages scholars to imagine past a narrowly outlined canon and standard disciplinary limitations. displays the erosion of the conventional, inflexible boundary among medieval and early sleek literature. Stresses the significance of creating contexts for interpreting literature. Explores the level to which medieval literature is in discussion with different cultural items, together with the literature of different nations, manuscripts and faith. contains shut readings of frequently-studied texts, together with texts via Chaucer, Langland, the Gawain poet, and Hoccleve. Confronts the various controversies that workout scholars of medieval literature, corresponding to these attached with literary idea, love, and chivalry and battle.
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Extra info for A Companion To Medieval English Literature and Culture c.1350 - c.1500 (Blackwell Companions to Literature and Culture)
Robin Hood in Popular Culture. Cambridge: Brewer. Twenty-three essays exploring the meaning of the Robin Hood legend in medieval and modern popular culture. Hanawalt, Barbara A. and Wallace, David (eds) 1996. Bodies and Disciplines: Intersections of Literature and History in Fifteenth-century England. Minneapolis: University of Minnesota Press. Twelve essays treating the interplay between literature and history, with a focus on local, institutional and corporeal history. Ingham, Patricia Clare 2001.
Robin Hood himself exists powerfully in the oral consciousness (people and places are named after him), ﬁgures strongly in the literary tradition, and appears ﬂeetingly in local records as a model of the renegade. His presence asserts popular English values in the face of externally imposed royal (hence French) and clerical (hence Latin) cultural hegemony. The political response to resistance is to institutionalize behaviour. In a study of the evolution of medieval attitudes towards law, Richard Firth Green documents how the word trouthe, which once embodied the personal pledge, was transformed into an indicator of judicial practice, and how the violence that initially enforced the private agreement came to be reserved to the institutions of church and state.
1 The selections representing ‘Middle English Literature in the Fourteenth and Fifteenth Centuries’ are: Sir Gawain and the Green Knight; a hefty chunk of Geoffrey Chaucer (including the General Prologue and four tales); some Piers Plowman; selections from Julian of Norwich, Margery Kempe, Thomas Malory and Robert Henryson; three plays; and eleven anonymous lyrics. Although Norton is noted for its extensive historical introductions, the texts themselves exhibit a focus on the poetry traditionally rated ‘best’, along with a sampling of prose, drama, and writings by women.
A Companion To Medieval English Literature and Culture c.1350 - c.1500 (Blackwell Companions to Literature and Culture) by Peter Brown