New PDF release: A Journey of Art and Conflict: Weaving Indra’s Net

By David Oddie

ISBN-10: 1783205008

ISBN-13: 9781783205004

A trip of artwork and Conflict is a deeply own exploration of David Oddie’s makes an attempt to discover the potential for the humanities as a source for reconciliation within the wake of clash and for the artistic transformation of clash itself. it all started while Oddie, seeing the fractured global round him, requested himself what he may perhaps do to aid; that question set him off on travels all over the world, together with to Palestine, Kosovo, South Africa, India, Northern eire, Brazil, and different locations. In every one position, he met with local community who had suffered from clash and labored with them to forge creative networks that experience the capability to rework their situation.

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Contents

Federico Garcia Lorca: 1898-1936
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LA CASA DE BERNARDA ALBA - the home OF BERNARDA ALBA
Acto Primero / Act One
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Notes

Wikipedia says "The condominium of Bernarda Alba (Spanish: l. a. casa de Bernarda Alba) is a play by way of the Spanish dramatist Federico García Lorca. Commentators have usually grouped it with Blood marriage ceremony and Yerma as a "rural trilogy". Lorca didn't comprise it in his plan for a "trilogy of the Spanish earth" (which remained unfinished on the time of his murder). [1]

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The planned exclusion of any male personality from the motion is helping building up the excessive point of sexual rigidity that's current through the play. Pepe "el Romano", the affection curiosity of Bernarda's daughters and suitor of Angustias, by no means seems on level. The play explores topics of repression, ardour, and conformity, and inspects the results of fellows upon girls. "

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Extra info for A Journey of Art and Conflict: Weaving Indra’s Net

Sample text

Lederach writes: A polychronic view of reconciliation suggests the metaphor of theatre and stage. We create a place where the energies of Truth, Justice, Mercy and Peace are given life and interact. We need this kind of image to help us see interconnectedness, simultaneity and interaction as necessary in a polychronic understanding of reconciliation and time. (Lederach, 1999:80) I liked this idea of reconciliation as a dance involving these crucial energies and tensions interacting, weaving in and out of each other, balancing, holding, supporting and challenging each other’s claim to be centre stage at any point in the dance.

Resolution’ seeks to find a solution to immediate problems, and in some situations this may be what is required: there is a problem and it needs fixing. Unfortunately, however, the deeper, underlying problems may continue to re-emerge time and again. As Scilla Elworthy and Gabrielle Rifkind observe: Whether we are considering Iraq, al-Qaeda, Chechnya or the Middle East, it is clear that simply trying to hit back and destroy the ‘enemy’, the ‘terrorists’ or the political opponents provides only short-term solutions.

He noticed that many of the key insights that moved a complex situation forward arose from his thinking more like an artist than a social scientist. ’ he asked (Lederach, 2005:161), observing that time and again, social change that sticks and makes a difference has behind it the artist’s intuition: the complexity of human experience captured in a simple image and in a way that moves individuals and whole societies. The true genius of the moral imagination is the ability to touch the art and soul of the matter.

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A Journey of Art and Conflict: Weaving Indra’s Net by David Oddie


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